Adobe After Effects 6.5 Magic by James Rankin, Anna Ullrich

By James Rankin, Anna Ullrich

Animation Presets, a sophisticated Clone instrument, scripting help, and a strong new colour correction process are only the various purposes you are chomping on the bit to get right down to paintings with After results 6.5. In those pages, a grasp of the medium permits you to do exactly that, proposing a sequence of initiatives that discover each element of Adobe's animation and results powerhouse. through concentrating on the parts that may be problematic for pro clients - even if simply because they current thorny matters or simply because they draw on thoroughly new positive aspects - this quantity presents the concentrated, useful guideline you want to maximize your After results productiveness. every one lesson presents need-to-know advice, confirmed suggestions, and top practices for various After results 6.5 capabilities: from uploading and coping with photos to viewing and modifying layers, animating style, and extra. The spouse CD comprises QuickTime educational videos, resource code, and records for all the book's initiatives.

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Extra resources for Adobe After Effects 6.5 Magic

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Adding the Track Matte to the picture 48 49 7. Add a 0% Opacity keyframe. 8. Go to time 4;10, and change the Opacity to 100%. Now the product image fades in after the orange squares land in place. Adding text The images are all in place, but they're only half of your visual symphony. Let's bring in another movement: text. You'll start with an element that will remain consistent throughout the project: 1. Press 2 on the keyboard to return to time 4;00. 2. Create a new horizontal text layer that displays the word STYLE in a dark orange color (RGB: 214, 75, 3).

2. Add a 100% Opacity keyframe to the Orange Body layer. 3. Go to time 6;25, and change the Orange Body layer's Opacity to 0%. 4. Go to time 7;00, and change the Green Body layer's Opacity to 100%. Adding the green section to the final comp [View full size image] 33 34 Now you add the purple section: 1. Go to time 10;00, add the Purple Body comp to the Timeline, and add a 0% Opacity keyframe to the layer. 2. Add a 100% Opacity keyframe to the Green Body layer. 3. Go to time 10;10, and change the Green Body layer's Opacity to 0%.

4. Press 3 to return to the composition marker at time 5;18. 5. Select the FUNCTION layer, and press [ to move its In point. Switching the timing on the horizontal and vertical text [View full size image] Looks goodbut it's a little too boxed in comparison to the green and orange sections, which use the small square solid to break up the square shape the other elements create. Never fear, though; there is a simple solution: 61 62 • At time 4;10, set the Transition Completion keyframes for both the Horizontal Bar and the Vertical Bar layers to 0% so the solids extend beyond the screen.

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