Diversification and Portfolio Management of Mutual Funds by Greg N. Gregoriou

By Greg N. Gregoriou

This important new booklet addresses the $64000 factor of diversification in an age the place it will be important to lessen volatility on investments. effectively utilized portfolio administration can result in higher profits. The professional authors consultant traders via foreign portfolio diversification, clarify find out how to aid increase the potency in their investments, and clarify how overseas diversification reduces the chance of an funding portfolio. This key e-book educates traders approximately how foreign mutual unearths increase the functionality in their portfolio. The authors study which components are such a lot necessary to traders, and locate that either monetary components and behavioural arguments has to be thought of. This booklet is an important software for any investor seeking to increase the revenue achieve from their funding.

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Candella, G. E. (1997) “A Price Index for Art Market Auctions: An Application to the Italian Market of Modern and Contemporary Oil Paintings”, Journal of Cultural Economics, 21: 175–96. A. and Ginsburgh V. (1996) “The Relevance of Hedonic Price Indices”, Journal of Cultural Economics, 20(1): 1–24. Deutschman, A. (1991) “A Calculus of Collectibles”, Fortune, 124(10): 115–20. G. (1996) “Purchase of Art: Consumption and Investment”, De Economist, 144(4): 649–69. R. and Eichenberger, R. (1995) “On the Return of Art Investment Return Analyses”, Journal of Cultural Economics, 19: 207–20.

During this time span, 66 FOFs were covered prior to the database’s 1997 release, two FOFs were dropped by the service, eight FOFs were merged into new FOFs and CLARK L. MAXAM, SEOW ENG ONG AND CRAIG WISEN 29 coverage on 142 FOFs was initiated. Information on the two FOFs dropped by the service was acquired directly from the funds and is included in the current analysis. The eight FOFs that merged during the 1997–2000 timespan were associated with the acquisition of the Qualivest family of funds by First American Investment family.

Investors may also find the substantial financial contributions required to join the funds problematic. Minimum entrance levels are at present in the realm of £250,000 for the UK and $500,000 for the USA. This is under revision and likely to be reduced in time, but with entrance levels still at around £50,000, art funds will remain largely the domain of high net-worth individuals. The required contribution levels relate to the manner in which the funds are marketed. In the UK, art funds only target institutional or “sophisticated” investors and therefore escape regulation by the Financial Services Authority.

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