Elective Affinities: Testing Word and Image Relationships. by Catriona MacLeod

By Catriona MacLeod

This quantity provides the notable variety of scholarly affinities, methods, and topics that represent latest be aware and photograph stories. The essays, a variety of papers first offered in 2005 on the 7th overseas convention of the foreign organization of note and photograph Studies/Association Internationale pour l'Étude des Rapports entre Texte et photo that happened in Philadelphia, are case experiences of the various configurations of the textual and the long-lasting. "Elective affinities" - a inspiration initially borrowed through Goethe for his 1809 novel of an analogous name from eighteenth-century chemistry - right here refers back to the lively position of the 2 companions within the dating of the pictorial and the verbal. Following the experimental modalities unfolded through Goethe, the current quantity is split into 3 sections, which discover, respectively, how phrases and photographs can merge in concord, interact in conflicts and contestations, and, eventually, have interaction in an experimental means that self-consciously assessments the bounds and family between verbal and visible arts. New views on observe and picture relationships emerge, during times, nationwide traditions, works, and fabrics as varied as (among many others) an install by way of Marcel Duchamp and the guide accompanying it; the influence of man-made mild resources on literature and artwork; nineteenth-century British illustrations of local american citizens; the modern comedian publication; a seventeenth-century Italian devotional manuscript uniting textual content, picture, and song; chinese language physique and function art..

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London: Thames and Hudson, 2005. Molesworth, Helen, ed. Part Object, Part Sculpture. Exh. Cat. University Park, Pennsyl vania: The Pennsylvania State UP, in association with the Wexner Center for the Arts, Columbus, Ohio, 2005. Ramirez, Juan Antonio. Duchamp: Love and Death, Even. London: Reaktion Books, 1998. Tomkins, Calvin. Duchamp: A Biography. New York: Henry Holt, 1996. Living and Dying in the Limelight: Performing the Self in Frida Kahlo’s Diary and Paintings Adriana Dragomir The subtitle An Intimate Self Portrait added to Frida Kahlo’s diary, published for the first time in 1995 by Harry N.

New York Times, 7 July 1969, 30. Davidson, Abraham A. 1 (September October 1969): 44 45. Dekom, Otto. “Duchamp 1969, 35. ” Wilmington Morning News, 21 July d’Harnoncourt, Anne and Walter Hopps. ” Philadelphia Museum of Art Bulletin LXIV, nos. 299 300 (April September 1969): 6 58. Donohoe, Victoria. ” Philadelphia Inquirer, 13 July 1969, 6. Duchamp, Marcel. Manual of Instructions for Étant donnés: 1. La chute d’eau, 2. Le gaz d’éclairage …. Philadelphia: Philadelphia Museum of Art, 1987. 4 (1957): 28 29.

Ce sont en effet les théoriciens italiens qui vont le définir. Il sera utilisé dans les messes par les compositeurs Franco flamands venus en Italie à la Renaissance et dans les canons énigmes par les Italiens de la première moitié du XVIIe siècle. Ce procédé consiste à extraire le thème musical des voyelles d’un texte qui Imbrication de l’image, du texte et de la musique 63 Fig. 1. Pier Francesco Valentini (c. 1570 1654), Canone a cinque voci all’unisono sopra le vocali Regina Caeli Laetare, c. 1650.

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