Hermann Broch und die Künste by Alice Staková, Paul Michael Lützeler, Alice Staakova, Paul

By Alice Staková, Paul Michael Lützeler, Alice Staakova, Paul Michael La1/4tzeler

As a novelist, Hermann Broch (1886-1951) was once a poeta doctus who additionally made a reputation for himself as a philosophical essayist, human rights theoretist, mass psychologist and literary critic. whilst, he occupied himself with artwork, structure, track and picture. the current quantity is the 1st research to profile Broch??s curiosity within the arts and to check their complicated impact on his paintings. The papers display how really strongly the humanities affected one another in works of twentieth century classical smooth literature within the approach of intertextuality, ecphrasis and interpenetration.

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Zudem ist, aus der Sicht Brochs, eine Nähe zwischen Guernica und seiner Menschenrechts-Ethik zu konstatieren, wie Broch sie in den 1940er Jahren in seiner Massenwahntheorie begründete. Picasso zeigte in Guernica die Zerstörung, die Hinrichtung des Menschen im Krieg, um an jene Humanitätsvorstellungen zu erinnern, die man preisgegeben hatte. So entwickelte Broch in seiner Studie „Menschenrecht und Irdisch-Absolutes“ (KW 12, S. 456–510) die Vorstellung einer Absolutheit ex negativo. Er stellte dort die „irdisch-absolute“ (KW 12, S.

Hg. v. Paul Michael Lützeler. Frankfurt am Main 2001. ––: Verlorener Sohn? Hermann Brochs Briefwechsel mit Armand (1925–28). Hg. v. Paul Michael Lützeler. Frankfurt am Main, im Erscheinen. Calinescu, Matei: Five Faces of Modernity. Durham 1987. : The Madonna of the Future: Essays in a Pluralistic Art World. New York 2000. Eicher, Thomas: Erzählte Visualität. Studien zum Verhältnis von Text und Bild in Hermann Brochs Romantrilogie ‚Die Schlafwandler‘. Frankfurt am Main 1993. ): Makart. Triumph einer schönen Epoche.

Müller-Tamm, Jutta: Abstraktion als Einfühlung. Zur Denkfigur der Projektion in Psychophysiologie, Kulturtheorie, Ästhetik und Literatur der frühen Moderne. Freiburg 2005. Öhlschläger, Claudia: Abstraktionsdrang. Wilhelm Worringer und der Geist der Moderne. München 2005. Reinhardt, Hartmut: Erweiterter Naturalismus. Untersuchungen zum Konstruktionsverfahren in Hermann Brochs Romantrilogie „Die Schlafwandler“. Köln und Wien 1972. Doren Wohlleben „Verlöschen der Gesichter in der Landschaft“: Porträts in Hermann Brochs Die Schlafwandler „[I]m Gesichte selber war das Rätsel gelegen“ (KW 1, S.

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