How to Cheat in After Effects (2nd Edition) by Chad Perkins

By Chad Perkins

Get the main from the main conventional program within the postproduction box! achieve the insider counsel you want to compose crowd pleasing, creative Adobe After results tasks quick and effectively.
In easy methods to Cheat in After results, moment version professional AE specialist Chad Perkins presents dozens of concise, step by step tutorials and indulgent 4-color illustrations to get you at the quick music to generating notable movement pics and visible results. up to date for CS6, this re-creation has been revised to include:
A fresh bankruptcy at the hottest third social gathering results together with Trapcode specific and Video Copilot's aspect 3D
New cheats on expert compositing, expressions, and excessive finish visible effects
Tons of cool mild tips and classes on the way to use Video Copilot's Optical Flares
A thorough clarification of the Ray-trace 3D engine brought in After results CS6
An all new significant other DVD with undertaking documents permitting you to paintings along the routines within the ebook, in addition to QuickTime videos exhibiting techniques
There’s no time to waste! no matter if you're an intermediate After results person wanting its extra complicated instruments or a amateur trying to find strategies to up your video game, this e-book will deliver your movement snap shots, visible results, and image compositions to the subsequent point.

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Extra info for How to Cheat in After Effects (2nd Edition)

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In the Use Preset Palette drop down, choose the Moldy preset, which seems quite appropriate. 29 I N T E R L U D E Using the Help AS WE BEGIN THIS ADVENTURE together into the rest of this book, I wanted to have this little interlude to mention the incredible help system that comes with After Effects, and all Adobe apps. For the last few versions, the help has only been available in an online system. I’m very happy that there is also a local version now, and it’s better than ever. Now I realize that the idea of reading a manual sounds like the most boring concept one can imagine.

We’re going to look at a way to use a 2D mask to create a camera path, and also how to create a 3D motion path for cameras. An example of this 3D camera path is shown above. Notice the curvature of the camera’s path in the two different viewports. 3 The other way to create a camera path isn’t as easy to control, but it allows you to create a 3D motion path for your camera. The secret is to create a new null object. Masks reside on layers, and layers are 2D, therefore masks (and the paths created from them) must be 2D.

But with some more intentional lighting, it’s a significantly improved piece of artwork. Have you ever gone to a museum or a movie set where they have props from famous movies? If that’s your thing, check out the Warner Brothers museum on the VIP Studio Tour in Burbank, CA or the Science Fiction museum in Seattle, WA. It’s an incredible experience, mostly because it’s not that incredible. The costumes and props that look so cool in the movies look like prizes you’d find in the bottom of your favorite breakfast cereal when viewed up close.

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