By Raymond Durgnat
This is often the second one, revised and enlarged version of the striking monograph by means of the overdue Durgnat, initially released in 1967.
For this PDF, i've got appended essays that Durgnat wrote on Bunuel's later movies, published after the e-book of this booklet, culled from movie Quarterly and picture remark, bringing the Durgnat's writings modern with Bunuel's final motion pictures.
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Extra info for Luis Buñuel
T~/erniiriadnr, a hear climbs on to a chandelier. Infanticide. ‘ Quelle joie de massacrer nos 52 cries Lya Lys in her erotic ecstasy in L'Age d’Or. The gamekeeper massacres his child; the visibly feeble-minded boy foreshadows the cretins of La: Hurdes. In that lm, a little girl drifts downriver in a wooden coin, In Subida al Cielo, the little girl who gets the bus across the river by coaxing the oxen is later bitten by a snakm nd CIOSSBS Kl"! river B3in in 8 Coin. Tilt? '\-lmmll‘l8- M°d°l>ln hi5 fl'\l5lfli0\‘li h¢3l’5 drumtaps which are like the crystallisation of his mental torment into a resolution to wreak violence.
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The guerillas, with their ‘accordions, hippopotamuses, rakes . . and painthrushes ' are the creative aspects of the human spirit, squabbling, in their despair, among one another. Perhaps, when they die, they become scorpions . . ‘ Rcliginu mi the rm-kt in L'Age d'Or. The Bishops, though dead, triumph. They otilla of shing boats containing priests. functionaries, generals, a diminutive cabinet minister and various pious citizens. Although the Bishops are by new are followed by a heaps of bones and gorgeous robes, society respectfully tips its hat to them, and proceeds with the ceremony.