By Katherine O. Stafford
Via case stories of in demand cultural items, this e-book takes a longitudinal method of the effect and conceptualization of the Civil battle in democratic Spain. Stafford explores the tales informed concerning the conflict through the transition to democracy and the way those narratives have morphed in gentle of the polemics approximately ancient reminiscence.
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Extra info for Narrating War in Peace: The Spanish Civil War in the Transition and Today
Many of these symbols will remain in the imaginary of humanity as generalized representations of some topics of inhumanity, as later will some of the images of the Vietnam War, before the definitive saturation of horror consumption by our media. (132) Sánchez-Biosca applies three terms often employed in postmodern discourses about mass cultural production to images of the Spanish Civil War: Repetition, serialization, and reprise. 6 In addition to being a milestone for emotive and heartbreaking symbolic images, the Spanish Civil War also marks an epoch of socially and politically committed art.
Often a lieu de mémoire’s interpretation is closely connected to the identity of a group. In his seminal study, Maurice Halbwachs defines collective memory as the variety of discourses that a group uses to ref lect and maintain an image of itself, its past, and its present. Photographs have become a new sort of monument, and over the last thirty-five-plus years of Spanish democracy, Centelles’s pictures have been used not only to commemorate and remember the war, but also to establish, illustrate, and channel narratives of political and cultural identity.
In this film, Centelles’s photographs are used as visual aides to accompany the testimonies of the events of the war. La vieja memoria (1977) reaches no conclusions and reveals our inability to truly comprehend the past. Centelles’s pictures are used to illustrate historical moments as they are narrated by some of the major protagonists of the war. Most specifically, Centelles’s photographs are used to narrate the section of the film dedicated to the events of July 18–19, when the army attempted a quick takeover of the country and the city of Barcelona.